Commencement
Address to Rowan University
College of Communication & Creative Arts, and
College of Performing Arts
By
Nicholas Paleologos
May
12, 2016
Thank-you very much President
Houshmond, Dean Pastin, Dean Arnold, distinguished faculty and Trustees, friends
& family of this outstanding Class of 2016. I first want to acknowledge the
huge debt of gratitude we owe to Henry Rowan – who passed away in December.
This son of Ridgewood shocked the world in 1992 by making the largest gift ever
-- $100 million — not to MIT, where he got his
Degree, but to a little known New Jersey public college that was founded in the
same year he was born.
Mr. Rowan’s enduring legacy to
the university that now bears his name, not only made today possible for you, but also stands as a perpetual
challenge to us: never to forget the
importance of public higher education to the future of our country.
Henry Rowan was part of what has come
to be known as “The Greatest Generation.” One by one, these parents of Baby
Boomers are passing away.
My dad was one of them. When I was a kid, I had no idea what life was like
for him when he was a kid. Dad’s parents fled a civil war in
Greece to make a new life in America — specifically, Lowell Massachusetts during
the Great Depression. He grew up in a three story tenement with no hot water.
On his first day of school, he didn’t speak a word of English.
Dad
passed away a couple of years ago. And like so many of my fellow Baby Boomers
who’ve lost their parents, I think about him a lot. About the country he left
me. About the country I’m leaving to my three millennials.
Dad was
nine years old when Franklin Roosevelt was elected president. Unemployment was
at 25%. Two million Americans were flat-out homeless. And every bank in 32 of 48
states had slammed the doors shut on their depositors. Even so, in his first
inaugural address, Roosevelt reassured us that, “The only thing we have to fear
is fear itself.”
Roosevelt
didn’t waste any time. The country had work that needed to be done and there
were millions of jobless citizens willing to do it. So the President started the
Civilian Conservation Corps. My dad lied about his age to get into the CCC, and
was immediately put to work at a state forest up in Vermont where he earned a
dollar a day, most of which was sent back home to his mother – my immigrant
grandmother.
Not
surprisingly, when Roosevelt sounded the call to arms in December of 1941, my
father was only too happy to return the favor by heading off to the Pacific to
fight in WWII. When the war ended, dad stepped off his PT Boat - proud and
penniless - with just his service dress blues and the brain in his head.
At
that moment, Roosevelt could have given dad a pat on the back and sent him home
to the hardscrabble streets of Lowell. But the president had something else in
mind. College. Not just for dad’s benefit, but for America’s. And it didn’t
matter to Roosevelt that dad couldn’t afford it. The president insisted that
the country pay for dad’s college education.
Under
the GI Bill, Arthur Paleologos – together with eight million of his fellow veterans
-- went to colleges; vocational schools; or got low interest mortgages and
loans to buy homes and start businesses. And all they did in return was create the Great American Middle Class.
Franklin
Roosevelt died in 1945. But I grew up in the America he built – a country that
could send my dad to college, build an interstate highway system, put a man on
the moon – and most important: a country where both dad’s income AND his boss’
increased at roughly the same pace -- because everybody paid their fair share
of taxes; because the banks weren’t allowed to gamble away dad’s savings; and because
the government raised mostly enough money to pay for the programs people
wanted.
That country started disappearing
when I was in my late twenties. I just didn’t know it at the time. A new
president, Ronald Reagan – in his
first inaugural address – took dead aim at Roosevelt’s America, “Government,” he famously declared, “is not the
solution to our problems, government is
the problem.”
And for the next three decades, with
precious little pushback, America did a complete 180: The higher your income, the
lower your tax rate. The harder you
work and the more you produce, the less you
keep for yourself and your family. Corporations are your friends. The
government is your enemy.
Until everything came crashing
down - right around the time you started high school. For those of you who are
fans of Frank Capra’s classic film, “It’s a Wonderful Life,” imagine falling
asleep in 1978 in Bedford Falls…and waking up thirty years later - in
Pottersville!
Just like in that movie, the great
American dream of the great American Middle Class was built on the solid
foundation of home ownership. Until
one day, the value of all those homes – literally trillions of dollars – was wiped out -- overnight.
Muslims didn’t do that. Mexicans
didn’t do that. Wall Street did. But you already know that. How could you not?
You’re graduating right smack in the middle of a huge national argument over
the role of government -- which is a little strange when you think about it.
Because the Declaration of
Independence – right up front -- tells us that the “role of government” is self-evident: namely, to secure your
right to Life, Liberty and the Pursuit of Happiness. That last one – the Pursuit of Happiness - has been the
subject of every presidential election since my father was 9 years old.
Believe it or not, every four
years since 1932 the same two people have been on the ballot for president.
They just had different names and different faces. But if you look very closely
you’ll see that it has always been same choice between two very different
visions of America: Roosevelt’s and Reagan’s.
Roosevelt believed that the best
way for government to secure your right to the pursuit of happiness was to – as
much as possible -- remove fear from your life. For
Roosevelt, fear makes us less productive citizens; less likely to take risks; less entrepreneurial; less forward-looking. Roosevelt believed
that a basic pre-requisite for the pursuit of happiness in America is freedom from fear.
In Reagan’s
America fear is a motivator. Fear of losing your job, of getting sick, of being
destitute in your old age – all that fear makes us work harder…makes us more productive. And - at the end of the day - if we still can’t
afford the cost of staying healthy or of educating our kids, well that’s our
fault—not our country’s.
For
Roosevelt, fear is bad. Fear holds us back.
For Reagan, fear is good. Fear moves us forward.
For thirty
years, my generation basically bought into the “fear is good” argument. But now, we see things a bit more clearly. Maybe
it’s because we’ve lost our jobs, or our homes, or our pensions, or our ability
to pay for our kids to go to college.
Maybe
it’s because billions of dollars in profits aren’t showing up in our paychecks anymore. Instead they’re
paying for 30-second commercials designed to con us into believing that money
equals speech, that corporations are people, and craziest of all: that wealth should be taxed at a lower rate
than work.
Speaking of fear – this year I
guess we’re supposed to be afraid of immigrants. That really kills me. “God
Bless America” -- for heaven’s sake -- was written by a Jewish immigrant who fled persecution in Russia in the 1890’s. His name
was Israel Isidore Baline. You know him
by his American name -- Irving Berlin.
Which brings me to the story of a
young Hispanic couple who grew up in New York City in the nineties – the 1990’s.
They first met at Hunter College High School. She was a sophomore, a math wiz,
a great dancer, and very opinionated.
He was a senior, a theater nerd
who performed in almost every school play, and always carried a boom box around
with him. He noticed her in high school, but never quite got up the courage to
talk to her.
After graduation, he went off to
Wesleyan College and
picked right up where he left off – writing, directing and acting in a bunch of
college shows, ranging from musicals to Shakespeare. He
also found time to start an improvisational comedy
troupe. After getting his degree from Wesleyan, he went back to his old High School and worked as a 7th grade
English teacher.
By
that time, she had already graduated from high school and was well on her way
to a bachelor’s degree at MIT – which eventually led to a pretty
good job as a scientist at Johnson & Johnson in Skillman, New Jersey.
While
she was at J&J, he moved into an apartment with some friends. His improv
group was making a name for itself, plus he was writing lyrics on the subway
and performing at bar mitzvahs to pay the rent.
Then, in the summer of 2005, while catching up with fellow Hunter
graduates on Facebook, he came across her profile. He sent her an instant
message inviting her to his next show. She showed up and was really impressed.
Still,
he was so shy around her that he asked a friend to get her phone number. Then
he called to invite her to another show. And yes, she showed up again. But this
time, after the show, they discovered that Hunter College High School and their
Hispanic heritage wasn’t all they had in common. There was also Grand Theft
Auto, Jay-Z and Marc Anthony.
That
night, he told her about how -- as a 7 year-old kid growing up in Washington
Heights he saw his first Broadway show -- Les
Miz -- and fell in love with the theater. He told her about how, on his 17th
birthday, he saw Rent – which changed
his entire view about how theater can speak to the real lives of people like
themselves.
It
wasn’t long before the couple became not only best friends, but also fixtures
in each other’s lives. Then lightning struck. He scored the starring role in a
Broadway show — a lifelong dream. She quit J&J to go to Fordham University to
pursue a newfound passion of hers – the law.
In
2010, the couple had a storybook wedding. At their reception, he and his family
surprised her with a heartfelt, flash mob rendition of “To Life” – the great
production number from Fiddler on the
Roof. And yes, this Jewish story of family and tradition, resonated deeply with
these second generation Latinos. You can see for yourself on YouTube. Their wedding
video went viral.
But
I’m telling you their story for a different reason.
A
few years before they got married, he decided to take some time off from his 8-performance-a-week
Broadway schedule, to coincide with her semester break from law school. He was
making decent money and decided to treat her to a vacation in Mexico.
At
the airport terminal, he bought a book that happened to catch his eye, started
reading it on the plane, and couldn’t put it down.
When
she asked him to explain exactly what was it about this 700 page historical
biography that so captivated his imagination, it literally took him a whole year
to answer that question in his own words.
These
words:
How does a bastard, orphan, son of a whore and a Scotsman,
dropped in the middle of a forgotten spot in the Caribbean
by providence, impoverished, in squalor,
grow up to be a hero and a scholar?
The 10-dollar founding father
without a father
got a lot farther by
working a lot harder,
by being a lot smarter, by
being a self-starter,
by fourteen, they placed him in charge of a trading charter.
And every day while slaves were being slaughtered
and carted away across the waves,
he struggled and kept his guard up.
Inside, he was longing for something to be a part of,
the brother was ready to beg, steal, borrow or barter.
Then a hurricane came, and devastation
reigned,
our man saw his future drip, dripping down the drain,
put a pencil to his temple, connected it to his brain,
and he wrote his first refrain, a testament to his pain.
Well, the word got around, they said, “This kid’s insane, man”
took up a collection just to send him to the mainland.
“Get your education, don’t forget from whence you came,
and the world’s gonna know your name.
What’s your name, man?”
Alexander Hamilton.
Just last month, for writing
those words – which became the opening rap of his theatrical masterpiece, HAMILTON -- Lin-Manuel Miranda won the
2016 Pulitzer Prize for Drama. Last week, HAMILTON
earned 16 Tony Award nominations – the most ever.
It was the story of Hamilton the immigrant that touched
Miranda’s heart.
He said, “I recognize people I know in
Hamilton. Not only my father who came here at the age of 18 from Puerto Rico, but
also the stories of so many other immigrants who have to work twice as hard to
get half as far.”
For Miranda, Alexander Hamilton’s immigrant story opened the door to
something much, much bigger – the story of the creation of our country.
“I had to make the Founding Fathers
human for myself.” he said. “And I
think what is touching a nerve -- is other
people are finding the humanity within them as well. “
Hamilton is so much more than just the first
Hip-Hop/Rap Musical on Broadway. It is a game-changing piece of theater.
Today
that couple, Lin-Manuel Miranda and his wife Vanessa Nadal, have an eighteen-month-old
son. Miranda is now 36, and the latest in a long line of first and
second-generation American songwriters who have shaped the way we see ourselves
-- a line that stretches all the way back to, Irving Berlin.
Miranda discovered one more important
revelation in that Hamilton biography: “The ideological fights of the Founders”
he said, “are the same fights we are having today. What is the role of
government in our lives?”
I’m
slightly ashamed to admit that my dad’s generation answered that question a lot
better than my own. For some reason, we contracted an acute case of American
Amnesia – where the lessons our parents learned in the aftermath of the Great
Depression were first ignored, and then ultimately forgotten by us.
Now
it’s your turn. You are graduating into a country where the fundamental
assumptions my father lived by,
simply don’t apply any more.
In
dad’s America, Kodak - the great camera company - at its peak was valued at
more than $30 billion and employed 145,000 people.
In
your America, Instagram is also valued at more than $30 billion…but they only
employ 13 people. You live in a
country where less and less “work” is required to create more and more wealth.
In
trying to figure out the appropriate relationship between work and wealth in
the new America, you get to say what
“the pursuit of happiness” means for your generation.
You
have the opportunity to re-imagine your country as a place where people work – not
just to make a living, but to make a life
worth living. Getting to that place will require a whole lot of
creative thinking.
Along
the way, beware of folks trying to distract you with terrifying tales of Muslims
under your mattress. And remember that while the names, and faces, and parties
may change, your choice will always be the same.
Hope
or fear?
And
I don’t know about you, but I tend to do very stupid things when I’m scared to
death.
Each one of you came to Rowan blessed
with special gifts -- which you developed and sharpened here. You are artists. You
look at things that everybody else looks at, and you see things that nobody
else sees.
That unique ability -- to see truth and communicate it in ways that touch peoples’ souls – is what makes the
artist the single, most important person in any successful and prosperous
democracy.
America wants you to be the best artists you can be.
America needs you to be the best citizen-artists
you can be.
Me?
I just want you to be...consequential.
Look
around. Look around.
How
lucky you are to be alive right now.
History is happening.
And History
has its eyes on you.
Congratulations.